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Sep 16th, 2013
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- Sarah Vaughan - Discography ( 1946-2009)
- Year: 1946-2009 | FLAC, APE | Time: | Size: ~24 GB
- Geren: Jazz, Vocal Jazz, Bebop, Cool Jazz, Traditional Pop
- WebSite: Website
- 1946 - Sarah Vaughan - Tenderly - FLAC(image+.cue)
- 1947 - Sarah Vaughan - It's You Or No One - FLAC (tracks+.cue)
- 1949 - Sarah Vaughan - The Divine Sarah Vaughan (the CBS Years 1949-1953) - FLAC (tracks+.cue)
- 1954 - Sarah Vaughan & Clifford Brown - Sarah Vaughan with Clifford Brown - FLAC (tracks+.cue)
- 1958 - Sarah Vaughan - Vaughan and violins (with Quincy Jones) (Japan - Mercury 32JD-136) - FLAC (tracks+.cue)
- 1960 - Count Basie & Sarah Vaughan - APE (image + .cue)
- 1962 - Sarah Vaughan - The Benny Carter Sessions - FLAC (tracks+.cue)
- 1963 - Sarah Vaughan - Misty (with Quincy Jones) - FLAC (image+.cue)
- 1963 - Sarah Vaughan - Sarah Sings Soulfully - FLAC (tracks+.cue)
- 1965 - Sarah Vaughan - Sarah Vaughan Sings The Mancini Songbook - APE (image+.cue)
- 1965 - Sarah Vaughan - Viva!Vaughan - FLAC (image + .cue)
- 1972 - Sarah Vaughan - The Divine One (Remastered 2002) - FLAC (image+.cue)
- 1973 - Sarah Vaughan - Live In Japan - FLAC (image+.cue)
- 1978 - Sarah Vaughan - O Som Brasileiro De Sarah Vaughan - FLAC (image+.cue)
- 1978 - Sarah Vaughan - How Long Has This Been Going On? - FLAC (image+.cue)
- 1980 - Sarah Vaughan, Zoot Sims, Clark Terry, Joe Pass, Milt Jackson, Ray Brown, Mickey Roker - A Celebration of Duke - FLAC (image+.cue)
- 1981 - Sarah Vaughan - Copacabana - APE (image+.cue)
- 1981 - Sarah Vaughan & The Count Basie Orchestra - Send In The Clowns (Japan K2 MiniLP) - FLAC (image+.cue)
- 1981 - Sarah Vaughan - Songs Of The Beatles - APE (image+.cue)
- 1982 - Sarah Vaughan - Crazy And Mixed Up (Japan K2 MiniLP XRCD) - FLAC (image +.cue)
- 1985 - Sarah Vaughan - The Rodgers & Hart Songbook (1954-1958) - FLAC (tracks+.cue)
- 1985 - Sarah Vaughan - The Divine One (Chiaroscuro CRCD 2038 Japan) - FLAC (image+.cue)
- 1987 - Sarah Vaughan - Sassy Swings The Tivoli (2CD) (1963) - FLAC (image+.cue)
- 1987 - Sarah Vaughan - Duke Ellington Songbook - FLAC (image+.cue)
- 1987 - Sarah Vaughan - The Complete Sarah Vaughan on Mercury Vol. 4 (Box Set 6CD) - FLAC (tracks+.cue)
- 1990 - Sarah Vaughan - Autour De Minuit - FLAC (tracks+.cue)
- 1990 - Sarah Vaughan - The George Gershwin Songbook - FLAC (image+.cue)
- 1991 - Sarah Vaughan - In The Land Of Hi-Fi (1955) - FLAC (image+.cue)
- 1991 - Sarah Vaughan - Brazilian Romance (1987) - FLAC (image+.cue)
- 1991 - Sarah Vaughan - At Mister Kelly's - FLAC (image+.cue)
- 1992 - Sarah Vaughan - Trouble Is A Man - FLAC (tracks+.cue)
- 1994 - Sarah Vaughan - I Love Brazil! (1977) - FLAC (image+.cue)
- 1994 - Sarah Vaughan - Verve Jazz Masters 18 - FLAC (image+.cue)
- 1995 - Sarah Vaughan - Verve Jazz Masters 42: The Jazz Sides - FLAC (tracks+.cue)
- 1997 - Sarah Vaughan - After Hours (1961) - FLAC (image+.cue)
- 1998 - Sarah Vaughan - Sarah Vaughan Sings George Gershwin (2CD) - FLAC (tracks+.cue)
- 1998 - Sarah Vaughan - Sarah Vaughan Sings The Mancini Songbook (1963-1964) {Verve 314 558 401-2, USA} - APE (image+.cue)
- 1998 - Sarah Vaughan - The Man I Love (Giants Of Jazz CD 53326) - FLAC (image+.cue)
- 1998 - Sarah Vaughan - 1946-1947 {The Chronological Classics, 989} - FLAC (image+.cue)
- 2000 - Sarah Vaughan - Complete Musicraft Master Takes {2CD} - FLAC (tracks+.cue)
- 2000 - Sarah Vaughan - Sarah Vaughan (1954) - APE (image+.cue)
- 2001 - Dianne Reeves - The Calling: Celebrating Sarah Vaughan - FLAC (tracks+.cue)
- 2002 - Sarah Vaughan - The Complete Roulette Sarah Vaughan Studio Sessions (8CD) {Mosaic Records, MD8-214} - FLAC (image+.cue)
- 2002 - Sarah Vaughan - It's A Man's World (1967) - (Mini LP, 24-bit remastering) - FLAC (image+.cue)
- 2002 - Sarah Vaughan - Street of dreams - APE (image+.cue)
- 2003 - Sarah Vaughan - Summertime (1944-1950) (Giants Of Jazz CD 53392) - FLAC (image+.cue)
- 2003 - Sarah Vaughan - The Diva Series - FLAC (image+.cue)
- 2005 - Sarah Vaughan - After Hours At The London House (1958) - FLAC (image+.cue)
- 2005 - Sarah Vaughan - A Miracle Happened (Quadromania 4CD) - APE (image+.cue)
- 2006 - Sarah Vaughan - Sarah + 2 (1962) - FLAC (image+.cue)
- 2006 - Sarah Vaughan - Sarah Vaughan (Supreme Jazz) (SACD) - FLAC (image+.cue)
- 2006 - Sarah Vaughan-Very Best of Sarah Vaughan (3CD box set) - FLAC (tracks+.cue)
- 2007 - Sarah Vaughan - Jazz Anthology - FLAC (image+.cue)
- 2007 - Sarah Vaughan - Columbia Jazz Profile - APE (image+.cue)
- 2009 - Sarah Vaughan - Sarah Vaughan (1954) • In The Land Of Hi-fi (1955) - FLAC (tracks+.cue)
- 1
- 1946 - Sarah Vaughan - Tenderly
- 2
- 1947 - Sarah Vaughan - It's You Or No One
- 3
- 1949 - Sarah Vaughan - The Divine Sarah Vaughan (the CBS Years 1949-1953)
- 4
- 1954 - Sarah Vaughan & Clifford Brown - Sarah Vaughan with Clifford Brown
- 5
- 1958 - Sarah Vaughan - Vaughan and violins (with Quincy Jones) (Japan - Mercury 32JD-136)
- 6
- 1960 - Count Basie & Sarah Vaughan
- 7
- 1962 - Sarah Vaughan - The Benny Carter Sessions
- 8
- 1963 - Sarah Vaughan - Misty (with Quincy Jones)
- 9
- 1963 - Sarah Vaughan - Sarah Sings Soulfully
- 10
- 1965 - Sarah Vaughan - Sarah Vaughan Sings The Mancini Songbook
- 11
- 1965 - Sarah Vaughan - Viva!Vaughan
- 12
- 1972 - Sarah Vaughan - The Divine One (Remastered 2002)
- 13
- 1973 - Sarah Vaughan - Live In Japan
- 14
- 1978 - Sarah Vaughan - O Som Brasileiro De Sarah Vaughan
- 15
- 1978 - Sarah Vaughan - How Long Has This Been Going On?
- 16
- 1980 - Sarah Vaughan, Zoot Sims, Clark Terry, Joe Pass, Milt Jackson, Ray Brown, Mickey Roker - A Celebration of Duke
- 17
- 1981 - Sarah Vaughan - Copacabana
- 18
- 1981 - Sarah Vaughan & The Count Basie Orchestra - Send In The Clowns (Japan K2 MiniLP)
- 19
- 1981 - Sarah Vaughan - Songs Of The Beatles
- 20
- 1982 - Sarah Vaughan - Crazy And Mixed Up (Japan K2 MiniLP XRCD)
- 21
- 1985 - Sarah Vaughan - The Rodgers & Hart Songbook (1954-1958)
- 22
- 1985 - Sarah Vaughan - The Divine One (Chiaroscuro CRCD 2038 Japan)
- 23
- 1987 - Sarah Vaughan - Sassy Swings The Tivoli (2CD) (1963)
- 24
- 1987 - Sarah Vaughan - Duke Ellington Songbook
- 25
- 1987 - Sarah Vaughan - The Complete Sarah Vaughan on Mercury Vol. 4 (Box Set 6CD)
- 26
- 1990 - Sarah Vaughan - Autour De Minuit
- 27
- 1990 - Sarah Vaughan - The George Gershwin Songbook
- 28
- 1991 - Sarah Vaughan - In The Land Of Hi-Fi (1955)
- 29
- 1991 - Sarah Vaughan - Brazilian Romance (1987)
- 30
- 1991 - Sarah Vaughan - At Mister Kelly's
- 31
- 1992 - Sarah Vaughan - Trouble Is A Man
- 32
- 1994 - Sarah Vaughan - I Love Brazil! (1977)
- 33
- 1994 - Sarah Vaughan - Verve Jazz Masters 18
- 34
- 1995 - Sarah Vaughan - Verve Jazz Masters 42: The Jazz Sides
- 35
- 1997 - Sarah Vaughan - After Hours (1961)
- 36
- 1998 - Sarah Vaughan - Sarah Vaughan Sings George Gershwin (2CD)
- 37
- 1998 - Sarah Vaughan - Sarah Vaughan Sings The Mancini Songbook (1963-1964) {Verve 314 558 401-2, USA}
- 38
- 1998 - Sarah Vaughan - The Man I Love (Giants Of Jazz CD 53326)
- 39
- 1998 - Sarah Vaughan - 1946-1947 {The Chronological Classics, 989}
- 40
- 2000 - Sarah Vaughan - Complete Musicraft Master Takes {2CD}
- 41
- 2000 - Sarah Vaughan - Sarah Vaughan (1954)
- 42
- 2001 - Dianne Reeves - The Calling: Celebrating Sarah Vaughan
- 43
- 2002 - Sarah Vaughan - The Complete Roulette Sarah Vaughan Studio Sessions (8CD) {Mosaic Records, MD8-214}
- 44
- 2002 - Sarah Vaughan - It's A Man's World (1967) - (Mini LP, 24-bit remastering)
- 45
- 2002 - Sarah Vaughan - Street of dreams
- 46
- 2003 - Sarah Vaughan - Summertime (1944-1950) (Giants Of Jazz CD 53392)
- 47
- 2003 - Sarah Vaughan - The Diva Series
- 48
- 2005 - Sarah Vaughan - After Hours At The London House (1958)
- 49
- 2005 - Sarah Vaughan - A Miracle Happened (Quadromania 4CD)
- 50
- 2006 - Sarah Vaughan - Sarah + 2 (1962)
- 51
- 2006 - Sarah Vaughan - Sarah Vaughan (Supreme Jazz) (SACD)
- 52
- 2006 - Sarah Vaughan-Very Best of Sarah Vaughan (3CD box set)
- 53
- 2007 - Sarah Vaughan - Jazz Anthology
- 54
- 2007 - Sarah Vaughan - Columbia Jazz Profile
- 55
- 2009 - Sarah Vaughan - Sarah Vaughan (1954) • In The Land Of Hi-fi (1955)
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RAW Paste Data
- 3-07-2020, 07:59
- 2020 | Jazz | Vocal Jazz | FLAC / APE
Artist: Sarah Vaughan
Title: Golden Star Collection
Year Of Release: 2020
Label: Sarahlicious Music Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 4:45:53
Total Size: 1.57 GB
WebSite: Album Preview
Tracklist:Title: Golden Star Collection
Year Of Release: 2020
Label: Sarahlicious Music Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 4:45:53
Total Size: 1.57 GB
WebSite: Album Preview
01. Tenderly
02. Lullaby of Birdland
03. Interlude
04. What More Can a Women Do
05. Mean to Me
06. S Wonderful
07. I'd Rather Have a Memory Than a Dream
08. Singing Off
09. Embraceable You
10. It's Magic
11. April in Paris
12. I'll Never Smile Again
13. He's My Guy
14. Jim
15. You're Not the Kind
16. I'm Glad There Is You
17. East of the Sun (And West of the Moon)
18. Why Can't I
19. It's Crazy
20. Over the Rainbow
21. Soon
22. Cherokee
23. Don't Be on the Outside
24. How High the Moon
25. It Shouldn't Happen to a Dream
26. September Song
27. Maybe
28. Oh My
29. If I Knew Then (What I Konw Now)
30. Bidin' My Time
31. Sometimes I'm Happy
32. Words Can Describe
33. No Smoke Blues
34. The Touch of Your Lips
35. Lover Man (Oh, Where Can You Be)
36. I Cried For You
37. All of Me
38. The Man I Love
39. Prelude to a Kiss
40. Shulie a Bop
41. Pennies from Heaven
42. Body and Soul
43. How Long Has This Been Going On
44. They Can't Take That Away From Me
45. An Occasional Man
46. Linger Awhile
47. Polka Dots and Moonbeams
48. My Man's Gone Now
49. You Hit the Spot
50. Someone to Watch Over Me
51. I'll Build a Stairway to Paradise
52. Aren't You Kind of Glad We Did
53. He Loves and She Loves
54. Of Thee I Sing
55. Isn't It a Pity
56. My One and Only
57. A Foggy Day
58. Love Walked In
59. They All Laughed
60. Looking For a Boy
61. Easter Parade
62. Let's Call the Whole Thing Off
Clifford Brown And Max Roach
Free Sarah Vaughan Clifford Brown Rar Software Download
63. I've Got a Crush on You64. Things Are Looking Up
65. Alexander's Ragtime Band
66. Cheek to Cheek
67. If You Are but a Dream
68. Lorelei
69. Isn't This a Lovely Day
70. Out of This World
71. I've Got My Love to Keep Me Warm
72. All of My Life
73. You're Just in Love
74. Remember
75. Always
76. Do It Again
77. I Won't Say I Will
78. There's No You
79. Now It Can Be Told
80. Say It Isn't So
81. Missing You
82. I've Got to Talk to My Heart
83. I'll Never Be the Same
84. I Should Care
85. Maybe You'll Be There
86. Last Night When We Were Young
87. Funny
88. The Girl That I Marry
89. Close to You
Possessor of one of the most wondrous voices of the 20th century, Sarah Vaughan ranked with Ella Fitzgerald and Billie Holiday in the very top echelon of female jazz singers. She often gave the impression that with her wide range, perfectly controlled vibrato, and wide expressive abilities, she could do anything she wanted with her voice. Although not all of her many recordings are essential (give Vaughan a weak song and she might strangle it to death), Sarah Vaughan's legacy as a performer and a recording artist will be very difficult to match in the future.
Vaughan sang in church as a child and had extensive piano lessons from 1931-39; she developed into a capable keyboardist. After she won an amateur contest at the Apollo Theater, she was hired for the Earl Hines big band as a singer and second vocalist. Unfortunately, the musicians' recording strike kept her off record during this period (1943-44). When lifelong friend Billy Eckstine broke away to form his own orchestra, Vaughan joined him, making her recording debut. She loved being with Eckstine's orchestra, where she became influenced by a couple of his sidemen, Charlie Parker and Dizzy Gillespie, both of whom had also been with Hines during her stint. Vaughan was one of the first singers to fully incorporate bop phrasing in her singing, and to have the vocal chops to pull it off on the level of a Parker and Gillespie.
Other than a few months with John Kirby from 1945-46, Sarah Vaughan spent the remainder of her career as a solo star. Although she looked a bit awkward in 1945 (her first husband George Treadwell would greatly assist her with her appearance), there was no denying her incredible voice. She made several early sessions for Continental: a December 31, 1944 date highlighted by her vocal version of 'A Night in Tunisia,' which was called 'Interlude,' and a May 25, 1945 session for that label that had Gillespie and Parker as sidemen. However, it was her 1946-48 selections for Musicraft (which included 'If You Could See Me Now,' 'Tenderly' and 'It's Magic') that found her rapidly gaining maturity and adding bop-oriented phrasing to popular songs. Signed to Columbia where she recorded during 1949-53, 'Sassy' continued to build on her popularity. Although some of those sessions were quite commercial, eight classic selections cut with Jimmy Jones' band during May 18-19, 1950 (an octet including Miles Davis) showed that she could sing jazz with the best.
Sarah VaughanDuring the 1950s, Vaughan recorded middle-of-the-road pop material with orchestras for Mercury, and jazz dates (including Sarah Vaughan, a memorable collaboration with Clifford Brown) for the label's subsidiary, EmArcy. Later record label associations included Roulette (1960-64), back with Mercury (1963-67), and after a surprising four years off records, Mainstream (1971-74). Through the years, Vaughan's voice deepened a bit, but never lost its power, flexibility or range. She was a masterful scat singer and was able to out-swing nearly everyone (except for Ella). Vaughan was with Norman Granz's Pablo label from 1977-82, and only during her last few years did her recording career falter a bit, with only two forgettable efforts after 1982. However, up until near the end, Vaughan remained a world traveler, singing and partying into all hours of the night with her miraculous voice staying in prime form. The majority of her recordings are currently available, including complete sets of the Mercury/Emarcy years, and Sarah Vaughan is as famous today as she was during her most active years. ~ Scott Yanow
Vaughan sang in church as a child and had extensive piano lessons from 1931-39; she developed into a capable keyboardist. After she won an amateur contest at the Apollo Theater, she was hired for the Earl Hines big band as a singer and second vocalist. Unfortunately, the musicians' recording strike kept her off record during this period (1943-44). When lifelong friend Billy Eckstine broke away to form his own orchestra, Vaughan joined him, making her recording debut. She loved being with Eckstine's orchestra, where she became influenced by a couple of his sidemen, Charlie Parker and Dizzy Gillespie, both of whom had also been with Hines during her stint. Vaughan was one of the first singers to fully incorporate bop phrasing in her singing, and to have the vocal chops to pull it off on the level of a Parker and Gillespie.
Other than a few months with John Kirby from 1945-46, Sarah Vaughan spent the remainder of her career as a solo star. Although she looked a bit awkward in 1945 (her first husband George Treadwell would greatly assist her with her appearance), there was no denying her incredible voice. She made several early sessions for Continental: a December 31, 1944 date highlighted by her vocal version of 'A Night in Tunisia,' which was called 'Interlude,' and a May 25, 1945 session for that label that had Gillespie and Parker as sidemen. However, it was her 1946-48 selections for Musicraft (which included 'If You Could See Me Now,' 'Tenderly' and 'It's Magic') that found her rapidly gaining maturity and adding bop-oriented phrasing to popular songs. Signed to Columbia where she recorded during 1949-53, 'Sassy' continued to build on her popularity. Although some of those sessions were quite commercial, eight classic selections cut with Jimmy Jones' band during May 18-19, 1950 (an octet including Miles Davis) showed that she could sing jazz with the best.
Sarah VaughanDuring the 1950s, Vaughan recorded middle-of-the-road pop material with orchestras for Mercury, and jazz dates (including Sarah Vaughan, a memorable collaboration with Clifford Brown) for the label's subsidiary, EmArcy. Later record label associations included Roulette (1960-64), back with Mercury (1963-67), and after a surprising four years off records, Mainstream (1971-74). Through the years, Vaughan's voice deepened a bit, but never lost its power, flexibility or range. She was a masterful scat singer and was able to out-swing nearly everyone (except for Ella). Vaughan was with Norman Granz's Pablo label from 1977-82, and only during her last few years did her recording career falter a bit, with only two forgettable efforts after 1982. However, up until near the end, Vaughan remained a world traveler, singing and partying into all hours of the night with her miraculous voice staying in prime form. The majority of her recordings are currently available, including complete sets of the Mercury/Emarcy years, and Sarah Vaughan is as famous today as she was during her most active years. ~ Scott Yanow
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